Claude Monet (1840 - 1926)
Water Lilies
Title
Water Lilies
Dating
1907
Material/Technique
Oil on canvas
Dimensions
Mått 106,00 x 73,50 cm
Ram 129,00 x 96,00 x 10,00 cm
Category
Art Movement
Inventory number
GKM 2232
Acquisition
Bequest of Gerda Sigvaldason, 1988
Display Status
Description
Water Lilies belongs to Monet’s late, evocative style. The almost scientific method that Monet had previously brought to his accounts of reality has here given way to a more subjective approach to Nature, in a style of painting that has a far deeper resonance.
The whole of this vertical composition is taken up with the still water’s surface, in which the surrounding trees’ bulk and the flaming twilight sky are reflected. The rippling vertical lines of the trees’ reflections are broken by floating islands of water lilies, grouped in horizontal forms across the surface. No water’s edge or sky is visible. With its muted colours, the painting creates a melancholy, autumnal atmosphere. The day, like the summer, is coming to an end. The association is with life in its autumn years.
Water Lilies was painted in 1907, the year of Pablo Picasso’s The Young Ladies of Avignon, which is often taken as marking the birth of Modernism. Monet was one of the artists who laid the foundations of Modernism; however, unlike many of the Modernists, Monet persisted with his close observations of reality. This did not prevent him from moving towards abstraction, which reached its apogee in his suite of large water lily paintings for the Musée de l’Orangerie in Paris, which he worked on until his death in 1926. The Water Lilies in the Gothenburg Museum of Art is one of a series of fifteen canvases, all vertical compositions, that marked out his development in this direction. Water Lilies is both a seductive reproduction of Nature and a profound abstraction of the motif, where the image itself is emphasized in a way that foreshadows the Abstract Expressionism of the 1940s.
Kristoffer Arvidsson from The Collection Gothenburg Museum of Art, Gothenburg 2014
Signature/Inscription
Signature (N t h): Claude Monet 1907
Exhibition History
Århus, 09/10/2015 - 10/01/2016, no. 91
Liverpool, Tate Liverpool, 22/06/2012 - 28/10/2012
Stuttgart, Staatsgaleri Stuttgart, 11/02/2012 - 28/05/2012
Stockholm, Moderna museet, 08/10/2011 - 15/01/2012
Stockholm, Nationalmuseum, 22/02/2007 - 27/05/2007
Zürich, Kunsthalle Zürich, 29/10/2004 - 13/03/2005, no. 47
Basel, Fondation Beyeler, 28/03/2002 - 04/08/2002, no. 24
München, Kunsthalle der Hypokulturstiftung, 23/11/2001 - 10/03/2002
Paris, Musée de l’Orangerie, 06/05/1999 - 02/08/1999, no. 24
London, Royal Academy of Arts, 23/01/1999 - 18/04/1999, no. 42
Boston, Museum of Fine Arts , 20/09/1998 - 27/12/1998
Göteborg, Göteborgs konstmuseum, 11/10/1997 - 06/01/1998
Humlebæck, Louisiana, 08/10/1993 - 06/03/1994
Läckö slott, 17/06/1990 - 19/08/1990
Literature
Barbro Ahlfort, Lena Boëthius, Ingmari Desaix, Folke Edwards, Björn Fredlund, Jonas Gavel, Barbro Löfquist, Anne Pettersson, Håkan Wettre, Göteborgs konstmuseum dess historia och samlingar, red. Håkan Wettre, Palmeblad, Göteborg 1992., p. 71, ill. p. 71
Kristoffer Arvidsson, Per Dahlström, Björn Fredlund, Anna Hyltze, Philippa Nanfeldt, Isabella Nilsson, Johan Sjöström, Samlingen Göteborgs konstmuseum, red. Kristoffer Arvidsson, Per Dahlström, Anna Hyltze, Göteborgs konstmuseum, Göteborg 2014., p. 260, ill. p. 257
Jean-Dominique Rey och Denis Rouart, Monet. Les nymphéas. L'intégralité, red. Julie Rouart, Flammarion, Paris 2016., p. 87, ill. p. 87, 128
ill. p. 87
Magnus Olausson et al., Trädgården. Konst och natur under sex sekler, red. Magnus Olausson, Nationalmuseum, Stockholm, 2023., no. 186, ill. p. 194
Daniel Wildenstein, Monet. Catalogue Raisonné - Werkverzeichnis, Volume IV, Nos. 1596-1983, red., Taschen, Wildenstein Institute, 1996., no. 1716, p. 792, ill. p. 790
Pierre Georgel, Monet. Le cycle des Nymphéas. Catalogue sommaire, red. Josette Grandazzi, Musée national de l'Orangerie, paris, 1999., no. 24, p. 101, ill. p. 101
Jeremy Lewison, Turner, Monet, Twombly. Sent måleri , red., Moderna Museet, Stockholm, 2011., no. 59, ill. p. 201
Magnus Olaussonoch Carl-Johan Olssonoch Bénédicte Gady, Trädgården. Konst och natur under sex sekler, red. Magnus Olausson, Nationalmuseum, Stockholm, 2023., p. 202, ill. p. 194
Christopher Yetton, Monet in the 20th Century. An Introduction, red., Royal Academy of Arts, London, 1999., ill. p. 44
Ernst Beyeleroch Markus Brüderlinoch Philippe Büttner et al., Claude Monet ...up to digital Impressionism, red., Presetel/Fondation Beyeler, München, Berlin, London, New York/Basel, 2002., no. 24, ill. p. 51
Paul Hayes Tuckeroch George T.M. Schackelfordoch MaryAnne Stevensoch Romy Golanoch John Houseoch Michael Leja, Monet in the 20th Century, red., Yale University Press; Royal Academy of Fine Arts, London; Museum of Fine Arts, Boston, New haven, London, Boston, 1998., no. 42, ill. p. 170
Monet. Lost in Translation, red., Art Centre Basel, ARos, Hirmer, Basel, Århus, 2015., no. 91, p. 196, ill. p. 172, 194
Pierre Georgel et al., Monet. Les nymphéas, red., Connaissance des Arts, Paris, 1999., p. 27, ill. p. 26, 27
Christoph Beckeroch Catherine Hugoch Monika Leonhardtoch Linda Schädler, Monet's Garden, red., Kunsthaus Zürich, hatje Cantz Publishers, Zürich, 2004., no. 47, p. 71, 78, ill. p. 77
Jean-Dominique Reyoch Denis Rouart, Monet Water Lilies. The Complete Series, red., Flammarion, 2008., ill. p. 87, 128
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